The Vault is The Silo Hotel’s small and exclusive art gallery located in the private parking entrance on basement level P3.
The concept behind The Vault was to make use of the unique space on our private parking level and to provide a link between the not-for-profit art featured in the museum and the local galleries in Cape Town. Each year, The Silo Hotel will work with a different local gallery and will showcase two exhibitions annually in The Vault.
The purpose is to showcase established and up and coming African artists. The Silo Hotel will retain one piece from each exhibition thereby building up a collection that documents the evolution of our journey into the world of contemporary African art. Every 10 years we will print a beautiful coffee table book celebrating the 20 artists that were featured in The Vault as they form an integral part of The Silo’s history.
All of the art displayed in The Vault will be for sale through the relevant gallery representing the artist.
This first artist to be featured in The Vault from 1 March 2017 is Kate Gottgens. Born in Durban in 1965, Kate currently lives and works in Cape Town in Hout Bay.
As a conceptual painter, she continually interrogates the ‘how?’ and ‘why?’ of representation as well as the mechanics of image-making. Being a lover of paradox and ambiguity, Kate rids her visual narratives of beginnings and endings so that multiple interpretative possibilities emulate any single definitive reading.
The series displayed in The Vault was entitled The Meek, a beautifully curated series that explores the distortion of memories over time through the use of polaroid style imagery. The Meek also explores how in a modern social-media led society we are able to dip in and out of each other’s lives sometimes taking and interpreting only brief snapshots.
From 26 November 2017 Mongezi Ncaphayi graces the walls of The Vault. Ncaphayi creates gestural works on paper by combining traditional printmaking techniques with painting and drawing methods. Ncaphayi’s paintings employ rich, dynamic, spreading expanses of light, colour and marked planes on paper. The work presents with a kind of boundless energy and limitless space that speaks to an artist bent on crafting a cartography towards the profound. A proficient saxophonist, Ncaphayi incorporates the improvisational qualities of Jazz with a well-developed technical methodology, resulting in a unique abstract visual vocabulary. Functioning as “spiritual maps”, Ncaphayi considers his most recent bodies of work as a series of primary drawings in which he develops this visual language, refining a tonal palette that intuitively illustrates notions of spiritual reform, independent from formal religious perceptions.
Mongezi Ncaphayi was born in 1983 in Benoni on the East Rand, South Africa and currently lives and works in Johannesburg, South Africa.