The Vault

The concept behind The Vault was to make use of the unique space on our private parking level and to provide a link between the not-for-profit art featured in the museum and the local galleries in Cape Town. Each year, The Silo Hotel will work with a different local gallery and will showcase two exhibitions annually in The Vault.

The purpose is to showcase established and up and coming African artists. The Silo Hotel will retain one piece from each exhibition thereby building up a collection that documents the evolution of our journey into the world of contemporary African art. Every 10 years we will print a beautiful coffee table book celebrating the 20 artists that were featured in The Vault as they form an integral part of The Silo’s history.

All of the art displayed in The Vault will be for sale through the relevant gallery representing the artist.

This first artist to be featured in The Vault on 1 March 2017 was Kate Gottgens. Born in Durban in 1965, Kate currently lives and works in Cape Town in Hout Bay.

The series displayed in The Vault was entitled The Meek, a beautifully curated series that explores the distortion of memories over time through the use of polaroid style imagery. The Meek also explores how in a modern social-media led society we are able to dip in and out of each other’s lives sometimes taking and interpreting only brief snapshots.

From 26 November 2017 Mongezi Ncaphayi graced the walls of The Vault. Ncaphayi creates gestural works on paper by combining traditional printmaking techniques with painting and drawing methods. Ncaphayi’s paintings employ rich, dynamic, spreading expanses of light, colour and marked planes on paper. The work presents with a kind of boundless energy and limitless space that speaks to an artist bent on crafting cartography towards the profound. A proficient saxophonist, Ncaphayi incorporates the improvisational qualities of Jazz with a well-developed technical methodology, resulting in a unique abstract visual vocabulary. Functioning as “spiritual maps”, Ncaphayi considers his most recent bodies of work as a series of primary drawings in which he develops this visual language, refining a tonal palette that intuitively illustrates notions of spiritual reform, independent from formal religious perceptions.

Mongezi Ncaphayi was born in 1983 in Benoni on the East Rand, South Africa and currently lives and works in Johannesburg, South Africa.

The third artist to be featured in The Vault was David Koloane. Born in Alexandra and later living in Soweto, Koloane spent his formative years immersed in the urban sprawl of Johannesburg’s largest townships. While the impact of the urban township environment has never left Koloane’s oeuvre and subject matter, his figurations of urban life attempt to represent both the tangible and intangible actualities of existence.

Koloane’s most recent works continue the artist’s aesthetic and artistic exploration into the conditions of the urban South African vernacular and its inner cityscapes. In so doing, he develops powerful and poignant social commentary on African life and individual experience within the cityscapes of Johannesburg. The city is represented using layers of mixed media and exaggerated brushwork to communicate the emotional workings of the artist in response to the anxieties faced within the metropolis. He draws on the dynamic energies and individual sensibilities faced when encountering hybrid residents and different environments.

Gerald Machona was the next artist to be featured in The Vault. Gerald Machona is a Zimbabwean born visual artist with a Master’s Degree in Fine Art in
Sculpture from Rhodes University and holds a Bachelor’s Degree from the University of Cape Town, completed at the Michaelis School of Fine Art.

Machona works with sculpture, performance, new media, photography and film, and the most notable aspect of his work is his innovative use of currency—particularly decommissioned Zimbabwean dollars—as an aesthetic material. Machona’s current work engages with issues of migration, transnationality, social interaction and xenophobia in South Africa, and explores the creative limits of visual art production through the use of decommissioned currency as a key medium.

The next artist to be featured in The Vault was Matthew Hindley. Matthew graduated from the Michaelis School of Fine Art, Cape Town in 2002; where he was awarded the Michaelis Prize. As one of the countries’s most recognized younger painters, Hindley’s intense, poetic and delving artworks have featured in various critical and seminal South African exhibitions. Recent solo presentations have included An Everlasting Once at Brundyn + Gonsalves, Cape Town (2011) and Twilight of the Idols at Biksady, Budapest (2013).

Syndi Kahn is the latest artist to feature in The Vault. Using her own photographs as well as found imagery, Kahn captures a series of figures deeply engrossed in unfolding moments. In ‘A Dream No One Can See’ a girl waves a bright sparkler; in ‘Lost for Words’ a boy grasps something glowing indistinctly close to himself. It is not always clear what is happening in the scenes, but the introverted reverie of the narratives draws us into the pure, present moment.

Drawing on long-exposure and bokeh photography as inspiration, there is a sense of visible shift in the softly blurred lines of her painted portraits. This creates movement and ambiguity. Kahn refers in particular to Manhattan street photographer Saul Leiter as a photographic muse. In her own work we can see the same attentiveness paid to the quietly mundane that makes Leiter’s photographs memorable. Kahn also cites Japanese photographer Rinko Kawauchi and her lyrical but minimal imagery. Reviewing ‘Wondering’, we see Kahn focus on similarly ordinary yet serene reflections, which honour the importance of imagination and awe in the everyday.